As Hall stated: "At heart I am more than a cinematographer. After graduation in 1949, Hall expected to get a job right out of college. März 2003, bei der Oscarverleihung 2003, nahm sein ältester Sohn, Conrad Wynn Hall, ebenfalls Kameramann, die dritte Goldstatue für Road to Perdition stellvertretend für seinen Vater entgegen. Conrad Lee Hall (* 21. Am 4. His father was James Norman Hall, an ace pilot and captain in the Lafayette Escadrille that fought for France in World War I. James also co-wrote Mutiny on the Bounty. Hall's company branched out into making industrial films and TV commercials. [10] His Oscar for Road to Perdition (2002), which is dedicated to Hall, was posthumously accepted by his son Conrad W. Hall, also a cinematographer. His mother was Sarah ("Lala") Winchester Hall, who was half Polynesian. He made two other films that year, The Happy Ending and Tell them Willie Boy is Here. The break for him was about understanding and learning from others about their unique techniques.

Connie's career got its major boost when Leslie Stevens hired him as Director of Photography for his first TV series, "Stoney Burke", in 1962, and then he became the major DP for the "Outer Limits", from 1963-64, along with his camera operator, Bill Fraker, both of whom moved on to brilliant film careers. Since Hall was part of the Guild, he was able to work as an assistant cameraman at the side of many influential cinematographers such as Hall Mohr, Ernie Haller, Burnie Guffey and Ted McCord, who were all part of the ASC.

Hall's company branched out into making industrial films and TV commercials. Marilyn Stefano (widow of Joseph Stefano), Other Works Their second collaboration, 1967's In Cold Blood, resulted in yet another Oscar nomination. Hall attended the School of Cinema at a time when Slavko Vorkapić was the head of the program; Hall later recalled that “He taught me that film-making was a new visual language. The result was considered an innovative success.

Dies ist auch auf den Umstand zurückzuführen, dass Hall zehnmal für den Oscar in der Kategorie Beste Kamera nominiert war. Also in 1988, the ASC gave Hall an outstanding achievement award.

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For his work he garnered a number of awards, including three Academy Awards and three BAFTA Awards. Conrad Lafcadio Hall, ASC (June 21, 1926 – January 6, 2003) was a French Polynesian-born American cinematographer. Wiki Bio of Conrad L. Hall net worth is updated in 2020. He wasn't sure this was the right decision, but that since this was a new art form it would be interesting to start from the bottom. Los Angeles Film Critics Association Award for Best Cinematography, Online Film Critics Society Award for Best Cinematography, Dallas–Fort Worth Film Critics Association Award for Best Cinematography, New York Film Critics Circle Award for Best Cinematographer, "Top 10 Most Influential Cinematographers Voted on by Camera Guild", Interview and retrospective at American Society of Cinematographers site, American Society of Cinematographers (ASC) Theatrical Release Award, National Society of Film Critics (NSFC) Award for Best Cinematography, https://en.wikipedia.org/w/index.php?title=Conrad_Hall&oldid=981022401, Best Cinematographer Academy Award winners, American people of French Polynesian descent, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, Las Vegas Film Critics Society Award for Best Cinematography, Phoenix Film Critics Society Award for Best Cinematography, This page was last edited on 29 September 2020, at 20:38. Hall's breakthrough came with Morituri in 1965, for which he received his first Oscar nomination. |  In the beginning they made advertising commercials and documentaries and did pickup shots for features. His first collaboration with director Richard Brooks on The Professionals was put in motion by assistant director Tom Shaw, who worked with Hall on Wild Seed and recommended him to Brooks; the work resulted in his second Oscar nomination. CONRADS - Profitieren Sie von mehr als 55 Jahren Erfahrung bei der Planung und Konstruktion vielfältig einsetzbarer Landwirtschaft- und Gewerbehallen. In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. Had been a member of the American Society of Cinematographers (ASC) since 1967. He taught the principles, and left the rest up to us”.

Juni 1926 in Papeete, Französisch-Polynesien; 4.

In 1988 Hall became part of the union crew for Tequila Sunrise after a few complications. Instead he was credited as the visual consultant, after United Artists released the film under the new title Running Target. Around the same time he teamed up with noted cinematographer Haskell Wexler to make a commercial production company (Vinson, 1987). In 1956 Canyon Films acquired a short film, My Brother Down There, which allowed Hall to enter into the cameraman position and become part of the International Photographers Guild. [2] Growing up during the relative infancy of cinema, Hall never was around cameras, and the idea of going to the movies was a foreign concept. He and two classmates formed a production company and sold a project to a local television station. [5] His work resulted in a sixth Oscar nomination. Januar 2003 in Santa Monica) war ein dreifach mit dem Oscar ausgezeichneter US-amerikanischer Kameramann und gehörte dem Berufsverband der bildgestaltenden Kameraleute ASC an. Hall married Virginia Schwartz in 1952. Hall was and still is affectionately referred to as "Connie" by his peers and associates. Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the Bounty," Conrad Hall studied filmmaking at USC. A few people that visited the school during his education included John Huston and Orson Welles.

Zwei von drei Auszeichnungen konnte er persönlich entgegennehmen.

[3] It is notable for the documentary feel and location shots, which were rare at the time. After graduating, Hall was told by his father to find his path in life. In that same year, Hall shot Cool Hand Luke and Divorce American Style. CONRADS - Kompetent für Hallen Start He received his first cinematographer credit in 1965. - IMDb Mini Biography By: Publicity Listings Januar 2003 verstarb er im Alter von 76 Jahren an Prostatakrebs. [3] After creating his first shots in school he fell in love with the art and wanted to continue telling his stories through imagery.

Conrad L. Hall, Cinematographer: Road to Perdition. Hall Net Worth is $600,000 Mini Biography. [6] His final film was Road to Perdition in 2002, a second collaboration with Mendes, for which he was posthumously awarded another Academy Award. In the following year Hall shot Incubus, The Professionals, and Harper, which was his first color film. Mit zwei Kommilitonen gründete er eine kleine Produktionsgesellschaft, die sie zunächst an eine lokale Fernsehstation verkauften. Conrad Lafcadio Hall, ASC (June 21, 1926 – January 6, 2003) was a French Polynesian-born American cinematographer.Named after writers Joseph Conrad and Lafcadio Hearn, he was best known for photographing such films as In Cold Blood, Cool Hand Luke, Butch Cassidy and the Sundance Kid, American Beauty, and Road to Perdition.For his work he garnered a number of awards, including three …

Hall attended the University of Southern California, intending to study journalism, but ended up doing poorly and instead went to USC's School of Cinema-Television (now the USC School of Cinematic Arts). Official Sites, Died 11 weeks before he won the Oscar for Best Cinematography for, Is one of only six cinematographers to have a star on the Hollywood Walk of Fame, the other five being. Named after writers Joseph Conrad and Lafcadio Hearn, he was best known for photographing such films as In Cold Blood, Cool Hand Luke, Butch Cassidy and the Sundance Kid, American Beauty, and Road to Perdition. Hall's company branched out into making industrial films and TV commercials.

He won two more Oscars, for American Beauty (1999), in 2000, and Road to Perdition (2002). They were hired to shoot location footage for several feature films, including's Disney's The Living Desert (1953). Er ist neben Hal Mohr, J. Peverell Marley, Leon Shamroy, Haskell Wexler und Ray Rennahan einer der sechs Kameramänner, die mit einem Stern auf dem Walk of Fame geehrt wurden.